Anahita Kamali’s “The Hunt/Shekar” - 2025 Finalist

The Hunt/Shekar references the style of Persian miniatures and depicts the endangered Asiatic Cheetah–which once ranged broadly but survives only in Iran today–hunting Cape Hares in the night. The cheetah is leaping over a dried-up river, representing the loss of many of Iran's lakes. Rising through the valley in the mountains is a smoke cloud, a looming message that the countryside this cheetah is romping through will soon be destroyed

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Everest Orlikowski’s “Altered Interactions” - 2025 Winner

This quilt depicts the altered interactions between Great Lake fish species and their surrounding environment due to climate change. Three main ecological concepts are present in this quilt: northward range shifts, changes in the strength and duration of lake stratification, and the temperature-oxygen squeeze experienced by cold water fish. Cold and cool water fish are shifting their ranges north to continue living in their optimal water temperature while warm water fish are expanding into waters they previously were unable to occupy due to warming temperatures.

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Madelyn Godfroy’s “Live Updates” - 2025 Winner

Sometimes I'll see reporters on the news describing a hurricane while apparently standing in the middle of it. I've always thought that these reporters had to be pretty fearless -- often, in the background, trees sway violently and waves crash against seawalls. This scene is so much more tame when watching it from the comfort of my home, hundreds of miles from where it's being recorded. It's easy to distance myself from the event and move on to something else.

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Carlos Cepeda Gomez’s “Domestic Spaces of Ecological Anxiety: Models of Speculative Architecture” - 2025 Winner 

Under our capitalistic framework of unrestrained growth, our architecture of carbon-producing machines, water-polluting materials, and energy-intensive climate control, has expelled nature from our spaces whilst exacerbating our role in climate change. The Global North, particularly, must rethink its increasing trends of hermeticism—environmental and beyond. These four models—resembling soil core tests—are spaces within a proposed research institution in the American Arid Lands dedicated to preserving and living with nature.

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Marta Tykhovlis’s “Warning” - 2025 Winner

This idea was summoned when I was about 15 years of age, just finding out how much harm the earth takes in each day. I was learning about pollution, seeing wildfires start all over the globe, wars that kill everything around them. As a 15 year old, still finishing high school, I felt helpless. As if I was a little bunny watching my world burn. Unable to move, unable to run, knowing that it will kill everything including me in its sight.

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Gracie Klingbeil’s “After We’re Gone” - 2025 Finalist

After We’re Gone explores humanity’s environmental impact and the destructive habits driving us toward our own demise amidst the climate crisis. This illustrated futuristic vision warns of the consequences we face if we continue on our current path. Devoid of color, the black and white subject matter symbolizes how human actions are draining the Earth of its vibrancy

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Kareem Moumina's "Facing Human Kind"

We live in a time where global warming has prevailed, and the natural world around us rapidly declining because of our actions. The significance of this topic ventures into the fundamental roots of artistic creation and promotes the relevance of nature and the phenomenal world towards living harmoniously as a species. My curiosity and focus towards towards this theme will not only aim to highlight the relationship and appreciation of the selected artworks but also tackle relevant topics such as global warming, animal/species extinction, and deforestation.

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Madison Poole's "Fossil of The Fools"

The fossil fuel industry is one of the great contributors of climate change, especially effecting our wild life. Here is the Addax Antelope, there are fewer than 100 left in the wild. Due to oil exploration and extraction in one of their last remaining habitats, they are quickly becoming extinct.

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Samina Nelson's "The Royal"

“This piece is a surrealist depiction of a barn owl, heavily inspired by Alice in Wonderland. This is a tribute to recycling and bettering the environment as every material used was recycled. Barn owls are affected greatly by deforestation and other environmental issues brought on by pollution and suburban development.”

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Grace Sanford's "The Life Of Water"

Grace Sanford (Freeport, Maine) explores the intrinsic connection between humans and local water in The Life Of Water. “Many communities are finding themselves suddenly without safe water which they once took for granted, and many lives have been lost due to lack of access to this fundamental need,” states Sanford. “Life as we understand it cannot be separated from water. All life is aquatic, and our form is defined by our water.”

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Sergio Cadena Gonzalez's "Afuera"

Sergio Cadena Gonzalez (Brooklyn, New York) is originally from Monterrey, Mexico, a city recently cited as the most polluted in the world according to the Air Quality Index. Afuera is an original composition that “reflects my journey across diverse landscapes, addressing the pressing issue of climate change and its impact on local and global communities.”

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